We exhibited at SMPTE in Los Angeles; Dayna from postPerspective and SMPTE Live came by to interview us.  We showed Eff – simple, automated CALM and loudness compliance for broadcasters. And we showed how post and playout facilities are using Engine to automate audio processing  – channel shuffling, pitch shifting, and our new Dolby Digital Plus processing.   …

We all go to trade shows in the belief that customers with money will come and see us and order at the show. Whilst this has rarely been the case, almost all manufacturers and other show sages will tell you that it is the case.   At Emotion, we accepted that a long time ago. …

“You mean you can do loudness and then do the Dolby encoding and then do some other audio processing, too? Like upmix? And can you add language tags too?   That was the start of a fun conversation with an engineer at a playout facility just the other day. So we talked about workflows and …

Loudness compliance to a wide range of standards was required for a mixture of international and online delivery platforms at Premiere Digital Services. Premiere had QuickTime (QT) MOV files that had two MOOV atoms – these define different durations. Such files cannot be correctly processed by many existing tools so it was necessary to modify …